Tickets
Admission free (collection)
Every third Sunday of the month from 14:30 bis 18:30
Further dates after the summer break:
22.09.2024
20.10.2024
17.11.2024
15.12.2024
lazy club is Dampfzentrale Bern's new listening format, which takes place on the third Sunday afternoon of every month in the foyer of the building. The series aims to celebrate the collective listening of music in an informal, low-threshold and cozy setting. At each event, three people from the regional, national and occasionally international music scene (musicians, curators, journalists, concertgoers, DJs) are invited to play an hour of music. The DJ sets may cover as broad a musical spectrum as possible and should not necessarily serve a dancefloor context.
Timetable
| 14:30 | Violeta García |
| 15:30 | MinReCuliao |
| 16:30 | Milena Patagônia |
Milena Patagônia
Born in Thun, Milena Patagônia from Bern oscillates between experiment and pop, performance and concert with her sound. In dialect and her own version of Diaspora-Yu-Lingo, she sings about a sensual form of being and produces tracks with a dramaturgically risky outcome. In her studio in the Bernese agglomeration, she works on her own idea of sound, especially that of her voice. In addition to her work as a solo artist, Milena Patagônia forms the dialect duo Cruise Ship Misery together with the author Sarah Elena Müller.
Min
Min (fka MinReCuliao) from Fribourg grew up in Chile, China and the USA and has experienced the contradictions of the world – as Min himself writes on Soundcloud; peaceful moments like sunsets on the beach, but also more agonising ones like “huge fucking earthquakes”. Min’s interdisciplinary work invites a sincere experience across cultures and gender roles, serving as a reflection on present forms, past memories, dreams and traumas – from here, from there, from everywhere, all at once. A constant living in music, in energy, in movement, in walking, dancing, in prayer.
Violeta García
Argentinian composer, cellist, improviser and curator Violeta García is well versed in contemporary and cross-media experimental repertoire for cello and electronic music. She currently enjoys improvising, composing and creating new sounds, experimenting with extended techniques, prepared instruments and working with dynamic, rhythmic and original melodic combinations in her intense and visceral performances. Her main interest is to open up new sound spaces that invite the audience on an inner journey. In addition to her own artistic practice, García is part of the Argentinian punk-noise-rock group Blanco Teta.
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