Bei «trial & error» testen Choreograf*innen ihre Arbeiten vor einem Publikum. Im Vordergrund stehen der Versuch und das Scheitern. Die gezeigten Arbeiten dauern nicht länger als 20 Minuten und kommen mit minimalen technischen Anforderungen aus. Sie können fertige Werke sein, Ansätze von abendfüllenden Produktionen oder eigene Versuchsanordnungen.
Daniela Ruocco: polyglot dreams
«polyglot dreams» sind glamouröse Gedankenspiele, die in Form von multilingualen Improvisationen den simultanen Einsatz von unterschiedlichen Sprachen auf der Bühne untersuchen.
Daniela Ruocco arbeitet vielsprachig (de/es/eng/fra/it) und disziplinübergreifend in diversen Konstellationen als Schauspielerin, Performerin, Künstlerische Leiterin, Mit-Autorin und Konzepterfinderin. Sie interessiert sich hauptsächlich für performative Formaten und prozessorientierten Arbeitsweisen, autonome Arbeitsstrukturen sind dabei essentiell.
Javier Rodriguez: The importance of rituals - and the terror that awaits if you don’t perform them.
The first time I saw her, everything in my head went quiet. All the ticks, all the constantly refreshing images just disappeared. When you have Obsessive Compulsive Disorder, you don’t really get quiet moments. Even in bed, I’m thinking: Did I lock the doors? Yes. Did I wash my hands? Yes. Did I lock the doors? Yes. Did I wash my hands? Yes. But when I saw her, the only thing I could think about was the hairpin curve of her lips.. Or the eyelash on her cheek– the eyelash on her cheek– the eyelash on her cheek. I knew I had to talk to her. I asked her out six times in thirty seconds. She said yes after the third one, but none of them felt right, so I had to keep going. On our first date, I spent more time organising my meal by color than I did eating it, or talking to her.. But she loved it. She loved that I had to kiss her goodbye sixteen times or twenty-four times at different times of the day. She loved that it took me forever to walk home because there are lots of cracks on our sidewalk. When we moved in together, she said she felt safe, like no one would ever rob us because I definitely lock the door eighteen times. I’d always watch her mouth when she talked– when she talked– when she talked– when she talked; when she said she loved me, her mouth would curl up at the edges. At night, she’d lay in bed and watch me turn all the lights off… And on, and off, and on, and off, and on, and off, and on, and off, and on, and off. She’d close her eyes and imagine that the days and nights were passing in front of her. But then… She said I was taking up too much of her time. That I couldn’t kiss her goodbye so much because I was making her late for work… When she said she loved me, her mouth was a straight line… When I stopped in front of a crack in the sidewalk, she just kept walking… And last week she started sleeping at her mother’s place. She told me that she shouldn’t have let me get so attached to her; that this whole thing was a mistake, but… How can it be a mistake that I don’t have to wash my hands after I touch her? Love is not a mistake, and it’s killing me that she can run away from this and I just can’t. I can’t go out and find someone new because I always think of her. Usually, when I obsess over things, I see germs sneaking into my skin. I see myself crushed by an endless succession of cars.. And she was the first beautiful thing I ever got stuck on. I want to wake up every morning thinking about the way she holds her steering wheel… How she turns shower knobs like she opening a safe. How she blows out candles– blows out candles– blows out candles– blows out candles– blows out—…. Now, I just think about who else is kissing her. I can’t breathe because he only kisses her once—he doesn’t care if it’s perfect! I want her back so bad… I leave the door unlocked. I leave the lights on.
– OCD, Neil Horbon
Allgemeine Maskenpflicht & obligatorisches Contact Tracing mit dem BuCK Corona-Tool. Bitte registrieren Sie sich mit Ihrem Smartphone einmalig und weisen Sie den QR-Code am Eingang vor. Weitere Informationen hier.
Konzept & Performance: Daniela Ruocco
Künstlerische Mitarbeit: Daniela Janjic
Outside Eye: Philippe Heule
Unterstützt durch: Kultur Stadt Bern, SWISSLOS/Kultur Kanton Bern.
Concept and choreography: Javier Rodríguez
Dancers: Matthea Lára Pedersen & Laetitia Kohler
Music: Triohatala, Christian Zehnder. Barcarolle, Jacques Offenbach.
Costume: Javier Rodríguez – Julia Brülisauer