«I work with a pop mind in the noise» says Klara Anderson, the Swedish musician and singer behind the project name Fågelle. Noisy tapestries of sound form the basis for her sometimes fragile and melodically accentuated but often also radical and powerful songs. Electronics, guitars and effects are the elements she uses to weave dark-melancholic textures upon which her magical voice seems to float. So it’s not a surprise to hear that her producer, Henryk Lipp, also works with Anna von Hausswolff. Klara’s music, which blurs the lines between sound art and pop, has been described as a «soft punch in the face».