| 5er-Pass | 140.- / 85.-* |
| Festivalpass | 250.- / 150.-* / 195.- (Early Bird) |
| Wednesday | 45.- / 25.-* |
| Thursday, school presentation | 25.- / 15.-* |
| * Kulturlegi, IV-card, Students 13–18 J., University Students, Apprentices |
Duration: approx. 90 Minutes
Entry: approx. 15 minutes before the concert begins
Accessibility: Wheelchair accessible. Live translation into sign language: there will be an introductory talk in sign language before Wednesday’s performance at 19:30.
Free admission for refugees, holders of the Kultur-GA, children up to the age of 12 and assisting persons.
To mark the 150th anniversary of Arnold Schönberg’s birth, Ensemble Novoflot, author Max Czollek and composer Michael Wertmüller dare to take a new look at his harrowing Holocaust piece “A Survivor from Warsaw”
One would have thought that Arnold Schönberg’s 1947 melodrama “A Survivor from Warsaw” was merely a historical document of the time, focussing on the suppression of the uprising in the Warsaw ghetto – a harrowing testimony to the most brutal dehumanisation and one of the few musical works to specifically address the Holocaust.
75 years after the premiere, the Berlin opera company Novoflot is rewriting the composition against the backdrop of historical and current war and expulsion scenarios as part of a multi-part Schönberg project (“Die Harmonielehre”). The Berlin writer Max Czollek and the composer Michael Wertmüller from Thun created the basis for a music theatre hybrid that constantly realigns itself between opera, performance, installation, jazz gig and concert. The compass of our perception must be constantly readjusted.
Performance: Max Czollek
Soprano: Rosemary Hardy
Alto: Noa Frenkel
Dance: Ichi Go
Live electronics: Simon Stockhausen
Electric guitar: Johnny La Marama: Peter Meyer
Electric bass: Chris Dahlgren
Drums: Eric Schaefer
ensemble dissonArt: Theodoros Patsalidis, Andreas Papanikolaou (violin), David Bogorad (viola), Vassilis Saitis (violoncello), Lenio Liatsou (piano), Sven Holm (director, concept)
Musical direction: Vicente Larrañaga
Set design: Nina von Mechow
Dramaturgy, concept: Malte Ubenauf
Management: Dörte Wolter